I’m thrilled to once again have contributed a feature to the lovely Kill Screen Magazine. This issue’s theme was “The Sound Issue,” so as you can probably imagine, I was excited to come up with something good to write for it. I think I did!
My article is a look at how both games and improvisational music (jazz) devise strict rule-sets to allow for improvisation. I talk about the rules on the bandstand, discuss some of the games I use to help young students learn to improvise, and take a look at composer John Zorn’s free-jazz “game pieces.”
It’s a collection of ideas that I’ve been chewing over for a very long while, and I’m happy with how I articulated them.
As I progressed from high school to undergraduate jazz studies and beyond, I began to see that both forms [videogames and jazz] have a great deal in common. Both play with the boundaries between designer/composer intent and player interpretation, both allow for improvisation and the reimagination of the original goals of the creator. And most of all, both use strict rules to spark endless creativity.
Thanks to my editors Chris Dahlen and Ryan Kuo for working with me so tirelessly on it; now more than ever, I am aware of the benifits of a rigorous editorial process, and working with those two gents was a luxury that few writers are afforded. Special recognition to Chris for coming up with the article’s excellent title.
Props, too, to the issue’s designer Jeremy Borthwick and art directors Keenan Cummings and Jon Troutman–this is the most eye-catching issue of the magazine yet, and Keenan’s illustrations on my article are brilliant! It’s so cool to send off a huge chunk of text and then, a couple months later, see it rendered into a sexy, art-laden thing.
The issue also features work by some of my favorite writers including Matthew Burns, Patrick Klepeck, Dan Bruno, J.P. Grant, Jon Irwin and Gus Mastrapa, as well as a terrific debut article by Sarah Elmaleh.
It can (and should) be ordered from Kill Screen‘s webpage.